Description
Olga paints in layers, first laying down a placid field of tans and creams in large geometric shapes, then painting over one half of the field in dynamic layers and splotches of dark browns, oranges, and burnt umbers. The layering process lends a sense of time-weathered age and complexity to the paintings, recalling at once stained and soiled parchment, ancient Andean village walls, and satellite images of the earth in sepia-tone.
